In the child’s story "Jack and the Beanstalk", the giant living at the top of the beanstalk says, “Fee-fi-fo-fum!” In Shakespeare's "King Lear," the character of King Lear cries, “Fie, fie, fie; pah, pah!” Shakespeare uses many “oaths” and exclamations throughout his work.
Even before I had heard about the Shakespeare Behind Bars program, I was astonished at how powerful Shakespeare’s words are. Shakespeare has inspired many people I personally know. The plays have entertained and delighted audiences for centuries. But in my wildest dreams I would have never believed how life-changing being a part of a Shakespeare production could be. Matt Wallace, Director of the program says this about the inmates: “Their courage and character continue to inspire me.”
One may believe that there isn’t much room for “improv” in a Shakespeare production because the text that is, Shakespeare’s words are usually the star of the show. Directors have cut lines to modernize some of the plays to a manageable two-hour performance (Stratford is notorious for this method.) Purists argue that it just isn’t Shakespeare when artistic adjustments are made – whatever the reason. I admit that simultaneously I am intrigued by and repulsed by the thought of removing scenes or lines. Matt Wallace found a workable balance in his Shakespeare Behind Bar’s production of The Merchant of Venice.
In [amazon_link id=”0199267170″ target=”_blank” ] William Shakespeare’s [/amazon_link] play, “The Most Excellent and Lamentable Tragedy of [amazon_link id=”0743477111″ target=”_blank” ]Romeo and Juliet[/amazon_link],” the... Read More
Explanation and origination of the phrase, “Neither Rhyme Nor Reason” accredited to Shakespeare yet belongs to Edmund Spenser.